artist profile     numerical index    composer index    artist index    online store    download store    home    info pages 
dda 25051
"a fascinating and significant issue"  - IRR
BBC Music Magazine "Instrumental Choice"
One of Classic FM magazine's Top Ten Mozart CDs
 
checkout      view basket    my account
cd image

 

UNHEARD MOZART
ANTHONY GOLDSTONE (piano)

Following Anthony Goldstone's surveys of rare and previously unrecorded music by Schubert and Beethoven (some original, some in arrangements) and the groundbreaking disc of Mozart piano duo works made with Caroline Clemmow (25046) this is perhaps his most ambitious project to date, including two completely new sonatas, realised from sketches left by Mozart, and several other newly-completed pieces. Approved with enthusiasm by Mozart scholars, including Julian Rushton who wrote the booklet notes, these wonderful new completions will soon be part of the standard Mozart repertoire.  ALL FIRST RECORDINGS.

playing time: 71.44
direct sale price:  £12.00
audio  sample:  Piano Sonata in F major - 3rd movement (extract)
PLAYbuyone
buy one

tracks:
Praeludium in C major
Piano Sonata in F major
Minuet in D major, K.Anh. 34
Allegro in B flat major, K. 400
Sarabande from Suite, K. 399
Gigue in C minor
Sonata movement in C major, K. deest
Fantasie in D minor, K. 397
Piano Sonata in G minor

review extracts: for full reviews click here
“Long immersion in Mozart’s unfinished compositions has enabled Goldstone to feel the potential of the relationship between fragmentary movements. The playing is unfailingly thoughtful, undemonstrative, observant of the varying stylistic demands. The sound is fresh, clear and free of excessive resonance…a major benefit is the detailed and highly informative essay that Julian Rushton has written… this is a fascinating and significant issue” – Peter Branscombe (International Record Review)
“All the material is restored with love, style and skill” – Nottingham Evening Post
“Fascinating and beautifully recorded disc. Goldstone has done a sterling job.” Performance ××××× Sound ××××× Erik Levi (BBC Music Magazine)

“Of the works realised by Goldstone... the structures are clear and the invention (Where does Mozart leave off?) highly creative in terms of melody, rhythm and harmony – all in the context of Mozartean style. Goldstone has approached his tasks as a highly cultivated and seriously motivated musician whose credentials include some recordings of insight and imagination. With very good sound and entertaining and delightful [music] this may be purchased with confidence.” – Becker (American Record Guide)

“ Sonatas in F major and G minor dominate proceedings, and their presence alone should make this CD an essential purchase”– Peter Spaull (UK regional press)
“Finishing Mozart needn’t be a sacrilegious act, as may be heard… particularly [in] the Praeludium in C major. When [Goldstone’s] playing is sympathetic to his best creative efforts, he makes for very absorbing listening.” – Nalen Anthoni (Gramophone)

“A delightful collection of works for piano solo ... played with consummate ease and lyrical sensitivity by a master of his instrument. For lovers of Mozart and/or piano music this is a must.” – Federation of Recorded Music Societies Bulletin