T Barnard - Neglected Areas of Piano Teaching

Neglected Areas of Piano Teaching
Trevor Barnard

Trevor Barnard's career as a concert pianist burst into public attention with his pioneering recording of Sir Arthur Bliss's Piano Concerto for EMI in 1962 (now on Diversions DDV24106). After a short spell in the USA he moved to Australia where he has enjoyed a successful career as a teacher at several institutions including, until his recent retirement, The University of Melbourne.

He revived his recording career in the mid 1990s and made several recordings for Divine Art (see his profile page for details and links). This concise volume deals with various areas of piano teacing which the author believes are often overlooked and is a useful tool for both piano teachers and students. The book is available both in printed form and as a pdf download.

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	NEGLECTED AREAS OF PIANO TEACHING
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Neglected Areas of Piano Teaching Trevor Barnard Trevor Barnard's career as a concert pianist burst into public attention with his pioneering recording of Sir Arthur Bliss's Piano Concerto for EMI in 1962 (now on Diversions DDV24106). After a short spell in the USA he moved to Australia where he has enjoyed a successful career as a teacher at several institutions including, until his recent retirement, The University of Melbourne. He revived his recording career in the mid 1990s and made several recordings for Divine Art (see his profile page for details and links). This concise volume deals with various areas of piano teacing which the author believes are often overlooked and is a useful tool for both piano teachers and students. The book is available both in printed form and as a pdf download.
	PRINT VERSION	48 pp softback direct sale price: £5.99 (+p/p) ISBN: 978-0-9554629-1-7

	DOWNLOAD VERSION The file will be sent by direct email, or via a download link.	direct sale price: £4.99
REVIEWS: for full text click here
"Good advice abounds, much of it grounded in pure common sense and all of it presented with a simplicity that never hints at condescension " - Alan Blakelock (Piano Magazine)
“An excellent book for both teachers and students, not only covering very important written guidelines in studying piano techniques but accompanying these with musical examples from well-known compositions... very easy to read and understand” – June McLean (Stretto)
I can highly recommend this not only as an invaluable resource in the day-to-day teaching situation but also for those teachers involved in pedagogy studies. - Rita Crews (The Studio)
"There are six chapters...and all deal with important technical issues. Of more use to aspiring self-taught students who need specific guidance." - Nadia Lasserson (Piano Professional)